This requires an inverted mapping, but now I can turn on those effects with a single click.Īll of these controls can be linked to modulators as well.
Delay and Verb bypass - I mapped the bypass, in the mixer, to buttons. This makes the control knob more sensitive near the ‘max’ value, so you can really fine tune the feedback at large values. Something I’ve found useful, that I did not show, is using a logarithmic mapping for the Feedback control. Feedback and Verb Size - Knobs assigned to delay feedback and Reverb room size. This results in a ‘wet dry’ control of sorts The dry slider is inverted in the mapping formula panel. Delay and Reverb mixes - I have these sliders assigned to the dry and wet sliders on the reverb and delay. That adds 0.3 to the value, AND inverts it. 
To do this I used a mapping formula of 1-Input+.3.
A bit crush toggle - The Bitcrush button toggles the delay’s bitcrush effect on/off, except it goes from ‘no bitcrushing’ to only about 1/3 of the control. I’ve created an example above, where we have a few things happening: You can create your own control surface using buttons, sliders, knobs, checkboxes and XY pads. Isn’t it annoying when you’re constantly having to dig through a couple windows or menus to change a parameter on a plugin? Maybe a reverb level or some compression or perhaps your mixer just won’t order your tracks exactly how you want?Įnter the control surface. It’s equally as awesome as Bitwig’s modulators, but for different reasons. This is a place where FLStudio really shines, and it seems like one of those places that few FL users even venture. Such as having a waveform modulate a parameter, or some envelope or other means. What I mean by modulation is automatically changing parameters without link to automation.
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